SELECTED MOVEMENT/PERFORMANCE WORK

Bird bones/”You need some impact in there” (The Croft Residency, July 2022) Image description: Kiera plays accordion and sings while Ella extends one leg and two arms in opposition in front of a large, wooden, nest-like sculpture. They are surrounded by scratchy star thistle plants and dirt. Photo credit: Benjamin Cheney

Open Reduction Internal Fixation (ORIF) (Snug Harbor Cultural Center, 2020-2022) Image description: Ella makes gluten-free pasta from scratch with a vintage pasta maker on a white table with grey metal legs, Alexander does a saline infusion in a video projection on a white wall, and Kiera audio describes Alexander’s infusion process. Photo credit: Lance J. Reha

SAAACKL [Admission Application/Checklist Summary] (Small Plates Dance Festival, March 2018) Image description: Simone sits above Kiera on a wooden floor and reaches out to touch Kiera’s rib while Kiera connects their feet with Melisande’s back and Melisande’s shoulder blade connects with Simone’s shoulder blade. They find relation and support through their bones. Photo credit: Marianne Killackey

drone_dance01_trim.mp4 (Catwalk Institute, June 2018) Image description: Kiera and Matthew stand in a green field together, surrounded by trees, grass, plants, and patches of sunlight and leaf shadows. Kiera plays accordion and Matthew plays violin in collaboration/tension with the hum of a drone hovering near them.

Trash Capsules: Archives of Illness, Food, and Diaspora (New Women Space, August 2017) Image description: an assemblage of medical ephemera arranged and photographed by Alexander Enzo Hope; IV tubing weaves into plastic and paper gauze packaging and soft stockinettes, all bathing in a golden/beige/orange glow.

Pillow Dance Iteration (133 Design Collective, June 2016) Image description: Angelina and Kiera stand in a room with brick walls and a large window and intestinal pillow sculpture by Maddy Geftic to their left. They both step forward with their right legs and touch their own right forearms with their left hands. Photo credit: Dana Trunk