Open Reduction Internal Fixation (ORIF) [2020-2022]
Open Reduction Internal Fixation (ORIF) is an ongoing archival process that oscillates between aestheticizing and de-aestheticizing daily maintenance movements. Tuning into mobility impairment, chronic illness, and physical therapy as choreographic resources, this practice began as an attempted collaboration between a stainless-steel plate, seven screws, and a distal radius from the time of their surgical fixation in April 2019 and has continued beyond the surgical removal of hardware in July 2020.
With attention to the materiality and temporality of disability, ORIF offers porous bones, rubber TheraBand resistance bars, accordion bellows, and strands of homemade pasta as dance partners in scores that stew in the blurriness between internal and external.
Conceived and choreographed by Kiera Bono. Collaborators: Laura Harris Farrell, Alexander Enzo Hope, Simone Johnson, Yo-Yo Lin, Julia Lucrecia Taveras, and Ella Dawn W-S. Live captioning by Cory Dostie and ASL interpretation by Candace Davider. [Snug Harbor Cultural Center, Newhouse Center for Contemporary Art]
open reduction internal fixation, or a series of barrel rolls for falco lombardi [2019]
open reduction internal fixation, or a series of barrel rolls for falco lombardi was an interdisciplinary performance/coming-out party for Kiera Bono's newly acquired stainless steel wrist on the final night of their Open Space Residency with Laura Harris Farrell at The Whole Shebang in Philly in July 2019.
[Laura and I are archiving flare-ups and remissions. We are archiving choreographies of physical therapy and “rehabilitation.” We are “reveal[ing] tensions within the cyborg body,” as Margaret M. Quinlan and Benjamin R. Bates would call it. We are moving through trauma by moving through trauma.]